We are proud to announce that we will be releasing our first guitar instruction book entitled 15 Easy Steps To Blues Guitar. It's intended for the intermediate guitarist in mind.
Great blues guitarist like Robert Johnson, Muddy Waters, Lead Belly, etc all have made use of the open string minor pentatonic blues scale. Below is the E minor blues pentatonic scale in the first position. This scale is great for them airy blues licks that we all come to enjoy.
Jimi Hendrix had a cool way of playing chords. He would take a basic major chord and play it from the 3rd or 1st inversion using hammer-ons and pull-offs. Here's an example playing a C major bar chord from the 3rd fret.
A sub V chord is a substitute chord for the original V chord. An example of this would be a Eb7 chord instead of A7. The Sub V chord shares the same (tri-tone) Below is the tri-tone in both chords A7 and Eb7.
One of the greatest jazz guitarist of all time was Wes Montgomery. He played guitar with his thumb and made popular the octave slide where he would simply add an octave to fatten up the sound. If you ever read Wes Montgomery's bio it says he developed this technique to keep the noise down and not to awake his family or neighbors.
In this lesson we will demonstrate a few basic 12 bar blues turnarounds. The turn-around in blues is very important because it adds character and interest and gets the progression ready for another round of 12 bars. As you already know playing the same 12 bars over and over can get pretty boring and tiresome.
If you like the blues with a walking bass line, you will enjoy this lesson. It's pretty cut to the chase, but it will teach you the basics and you can build on that. Notice how the bass lines connect the chords together just like a bass player would do. See if you can change the bass lines with your own ideas. A good start is use the 1,3,5,b7 notes from the scale of the chords A7,D7,E7. We will use the b7 since were playing dominant 7th chords.
The II V I ( 2,5,1) progression is commonly used in jazz music and resolves nicely to the tonic chord. In the Key of (A) The II V I progression would be Bm | E7 | A7.